features in: Album Chart of 1979 ● Album Chart of the Decade: 1970s ● 1001 Albums You Must Hear Before You Die ![]() |

Following on from “The Dark Side of the Moon” (1973), “Wish You Were Here” (1975) and “Animals” (1977), the eleventh Pink Floyd long-player, “The Wall” was conceptualized once again by Roger Waters, with producer Bob Ezrin playing a big part in fleshing out a 40 page script for the storyline and Dave Gilmour co-writing three of the individual pieces. The core group remain: Roger Waters (vocals, bass guitar, synthesizer), David Gilmour (vocals, electric and acoustic guitars, bass guitar, synthesizer, clavinet, percussion), Nick Mason (drums, percussion) and Richard Wright (acoustic and electric pianos, Hammond organ, synthesizer, clavinet, bass pedals). The 26 pieces, running over 80 minutes were spread over a two-record set, their first double album since “Ummagumma” in 1969. The outline of the story via the tracks themselves is brilliantly told at Wikipedia:
The Wall is a rock opera that explores abandonment and isolation, symbolised by a wall. The songs create an approximate storyline of events in the life of the protagonist, Pink (who is introduced in the songs “In The Flesh?” and “The Thin Ice”), a character based on Syd Barrett as well as Roger Waters, whose father was killed during WWII. Pink's father also dies in a war (“Another Brick In The Wall (Part 1)”), which is where Pink starts to build a metaphorical wall around himself. Pink is oppressed by his overprotective mother (“Mother”) and tormented at school by tyrannical, abusive teachers (“The Happiest Days Of Our Lives”). All of these traumas become metaphorical “bricks in the wall” (“Another Brick In The Wall (Part 2)”). The protagonist eventually becomes a rock star, his relationships marred by infidelity, drug use, and outbursts of violence. He soon marries and is about to complete his “wall” (“Empty Spaces”). While touring in America, he brings a groupie home after learning of his wife's infidelity. Ruminating on his failed marriage, he trashes his room and scares the groupie away in a violent fit of rage (“One Of My Turns”). As his marriage crumbles (“Don't Leave Me Now”), he dismisses everyone he's known as “just bricks in the wall" (“Another Brick In The Wall (Part 3)”) and finishes building his wall (“Goodbye Cruel World”), completing his isolation from human contact.
Hidden behind his wall, Pink becomes severely depressed (“Hey You”) and starts to lose all faith (“Vera”). In order to get him to perform, a doctor medicates him (“Comfortably Numb”). This results in a hallucinatory on-stage performance where he believes that he is a fascist dictator performing at concerts similar to Neo-Nazi rallies (“The Show Must Go On”), at which he sets brownshirts-like men on fans he considers unworthy (“In The Flesh”). Upon realizing the horror of what he has done (“Waiting For The Worms”), Pink becomes overwhelmed and wishes for everything around him to cease (“Stop”). Showing human emotion, he is tormented with guilt and places himself on trial (“The Trial”), his inner judge ordering him to “tear down the wall”, opening Pink to the outside world (“Outside The Wall”). The album turns full circle with its closing words “Isn't this where …”, the first words of the phrase that begins the album, “… we came in?”, with a continuation of the melody of the last song hinting at the cyclical nature of Waters' theme.
The Jukebox Rebel
21–Mar–2016
Tracklist |
A1 | [03:16] ![]() |
A2 | [02:27] ![]() |
A3 | [03:21] ![]() |
A4 | [01:46] ![]() |
A5 | [03:59] ![]() |
A6 | [05:32] ![]() |
B1 | [02:45] ![]() |
B2 | [02:10] ![]() |
B3 | [03:25] ![]() |
B4 | [03:41] ![]() |
B5 | [04:08] ![]() |
B6 | [01:48] ![]() |
B7 | [00:48] ![]() |
C1 | [04:40] ![]() |
C2 | [02:44] ![]() |
C3 | [03:26] ![]() |
C4 | [01:35] ![]() |
C5 | [01:21] ![]() |
C6 | [06:23] ![]() |
D1 | [01:36] ![]() |
D2 | [04:15] ![]() |
D3 | [04:20] ![]() |
D4 | [04:04] ![]() |
D5 | [00:30] ![]() |
D6 | [05:13] ![]() |
D7 | [01:41] ![]() |